Exploring the borders through research, art and lived experience

Report from the B-Shapes Summer School

Exploring the borders through research, art and lived experience

Between 12-16 May 2025, Bolzano, Italy, became a vibrant hub for interdisciplinary meetings during the B-Shapes Summer School, an initiative under the Horizon Europe project B-Shapes – Borders Shaping Perceptions of European Societies. Organised by Eurac Research and Lungomare, the program convened 23 participants from 17 countries to delve into how borders influence perceptions of society, culture, and identity. Our association was represented by Dr. Melinda Istenes-Benczi.

The Summer School was opened by Roland Psenner, the president of Eurac Research, who pointed out that in ecology the border areas between two ecosystems are always the richest which might be telling for human landscapes too. This interdisciplinary approach defined the entire summer school, as the structure of the event was multifaceted and thematic, emphasising theoretical frameworks, methodological approaches, artistic interpretations, and real-world applications of border studies.

Rethinking borders: theoretical foundations

The Summer School commenced with a lecture by Prof. Martin Klatt, coordinator of the B-Shapes project, who examined the paradoxes inherent in European border dynamics, particularly the tension between regional integration and national sovereignty. He highlighted the concept of “banal Europeanisation,” where the integration of European societies is often taken for granted, masking underlying complexities and endangering the otherwise vital achievements that were already gained and enjoyed by the people.

Following this, Prof. Chiara Brambilla introduced the concept of “borderscaping,” an interdisciplinary approach that views borders as dynamic and socially constructed spaces. She emphasised the importance of action research in understanding how individuals and communities experience and interpret borders in their daily lives. Drawing from her collaborative ethnographic research with young people in the Italian-Tunisian borderland, Brambilla highlighted how mixed visual methods – such as participatory photography and storytelling – can deconstruct dominant narratives and bring to light the everyday realities of border communities. This work not only challenges the often-sensationalised portrayals of Mediterranean borders but also fosters new forms of political engagement and subjectivity among marginalised groups.

Methodologies: ways of capturing the border experience

The second day focused on the B-Shapes project and its results.

Dr. Elżbieta Opiłowska discussed analysing borders through narratives, considering both individual and collective stories, and how actions like marches and walks serve as performative expressions of border experiences. She emphasised the significance of spatial narratives, which interpret physical spaces as embodiments of social relations and historical processes.

Dr. Dorte Jagetic Andersen presented “walking interviews” as a method, where informants guide researchers through spaces significant to them, facilitating more egalitarian and memory-rich conversations.

Dr. Eeva-Kaisa Prokkola explored how local communities perceive and value border landscapes, emphasising the role of heritage in these perceptions.

Dr. Péter Balogh provided practical advice for the participating young researchers utilising more classic qualitative research tools such as interviews and focus groups, stressing the importance of identifying contradictions and being cautious with sensational quotes.

Dr. Marcus Nicolson introduced zine-making workshops as a participatory method, combining photovoice and collage techniques to enable participants to express their border experiences creatively.

Zine-making

Zine-making has emerged as a compelling participatory methodology within border studies, offering a creative and inclusive avenue for individuals to articulate their experiences and perceptions of borders. Rooted in the do-it-yourself ethos, zines are self-published, small-circulation booklets that empower participants to express their narratives through a combination of text, images, and collage. This method fosters a sense of agency among contributors, allowing them to convey complex and often marginalised perspectives in a personalised and accessible format.

In the context of the B-Shapes project, zine-making workshops provided participants with the tools to explore and document their border-related experiences. These workshops employed techniques such as photovoice and collage, enabling individuals to capture and reflect upon their interactions with border spaces and policies. The resulting zines served not only as research outputs but also as mediums for dialogue and dissemination, bridging the gap between academic inquiry and community engagement.

Artistic interpretations: borders through creative lenses

Art played a central role in the Summer School, offering alternative perspectives on borders. Artist Leone Contini offered a performative lecture and dinner titled “IMAGINED – Food Retrospections Across Geographies.” Drawing from his research on the migration of seeds and culinary practices, Contini demonstrated how food serves as a medium for cultural exchange and identity formation, challenging the notion of fixed borders.
Anna de Manincor of the ZimmerFrei collective presented her movie (and the process behind it), “The Answer is Out There,” which juxtaposes unchanging landscapes with personal narratives from the Bulgaria-Turkey border region, highlighting the symbolic and emotional dimensions of borders.
Beatrice Catanzaro introduced “You Are But You Are Not,” a trilingual audio guide designed for the city of Bolzano during the hight of the migration crisis. The guide leads listeners through the city, prompting reflections on hospitality and the often-invisible boundaries within urban spaces. The project serves as a permanent installation, encouraging ongoing engagement with the themes of borders and belonging.

The B-Shapes project, under the theme “Through the Prism of Borders,” commissioned several site-specific art installations other than those that were presented in person at the Summer School all of which explore the multifaceted nature of borders in Europe. These works, developed in collaboration with Lungomare and various artists, offer diverse perspectives on how borders shape perceptions of society, culture, and identity.

  • "The Travelling Monument" by Boris Missirkov & Georgi Bogdanov
    This conceptual project addresses the absence of memorials for individuals who lost their lives attempting to escape the Eastern Bloc through the Bulgarian borders between 1944 and 1990. The artists propose an imaginary, mobile monument that traverses the border landscapes of Bulgaria, Greece, and Turkey, serving as a poignant reminder of these overlooked histories.
  • "Border Walks" by Ivan Moudov
    Moudov’s project involves foraging for wild mushrooms along the Bulgaria-Greece-Turkey border region. Through this activity, he draws parallels between the interconnectedness of fungal ecosystems and the complex human relationships in border areas, highlighting themes of coexistence and the impact of human interventions on natural environments.
  • "Sound Match" by Zorka Wollny
    In collaboration with composer Martin Dytko and local residents of Český Těšín/Cieszyn and Ostrava, Wollny created a sound-based performance exploring the Czech-Polish borderland. The project examines how borders resonate in everyday life, transforming the border zone into a space of encounter and interaction. The performances were held in October 2024 at the former synagogue in Český Těšín and the Krytyka Polityczna Center in Cieszyn.
  • "Traces of the Past, Ghost of the Future" by Esra Ersen
    Ersen’s work examines the interplay between personal and collective identities, illustrating how borders not only define territory but also construct narratives of belonging and exclusion. Presented in handmade folders inspired by the Sicil-i Ottoman period registry books, the installation connects contemporary themes to historical forms of record-keeping.

Real-world applications: borders in practice

The Summer School also addressed practical aspects of borders. Dr. Jussi Laine discussed the dual nature of borders as both protective and divisive structures. A panel featuring Alice Engl, Péter Balogh, and Martin Klatt examined cross-border cooperation and minority issues along the Italian-Austrian, Slovakian-Hungarian, and German-Danish borders, respectively.
Participants visited the Euroregion EGTC Tyrol-South Tyrol-Trentino, where Elisa Bertò, representing the Autonomous Province of Trento, explained the institution’s role in facilitating cross-border collaboration. Caitriona Mullan from the Association of European Border Regions (AEBR) discussed the significance of cultural heritage landscapes in fostering cross-border connections.
A study visit to Bressanone/Brixen included discussions with NGO practitioners Adrian Luncke (Organisation für eine solidarische Welt) and representatives from Haus der Solidarität. They shared insights into the challenges faced by migrants and the role of NGOs in providing support. The visit concluded with a zine-making workshop, allowing participants to creatively process and express their experiences.

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